NEW STEP BY STEP MAP FOR TUNA KUSH 0 9

Notions of looking and voyeurism are resolved spatially and architecturally in “Good For Me.” During this sequence, swooping lines create a style of peephole result that reveals Mundt in two different poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which appears in other paintings during the exh